Black Mirror’s Plaything is a great sequel to Bandersnatch because there’s a new game to play, too

A sequel to a beloved anthology TV episode would possibly seem to be a money seize; two in a single season may reek of desperation. But Charlie Brooker bests the skepticism in Black Mirror season 7 with a double whammy of “USS Callister: Into Infinity,” a follow-up to season 4’s Star Trek spoof, and “Plaything,” a sci-fi tragedy that returns to the timeline of the interactive particular Bandersnatch — full with a brand new gamified twist.

There was probably no matching the fun of Bandersnatch’s violent, choose-your-own-adventure development, and fortunately, Brooker doesn’t attempt. However the reintroduction of grandiose online game programmer Colin Ritman (performed by Will Poulter) gives the TV’s main doomsdayer one other likelihood to as soon as once more look at science fiction dystopias by the lens of gaming. Not like Bandersnatch, “Plaything” just isn’t actually playable, but it surely arrives in tandem with a full-blown cellular sport, Thronglets, derived from the nightmare on the heart of the episode. Each would possibly really feel slight on their very own. Collectively, they create a symbiotic expertise, effectively past a tie-in sport, that looks as if a candy spot for the rising Netflix Video games.

Written by Brooker and directed by David Slade (Bandersnatch, 30 Days of Evening), “Plaything” focuses on younger ’90s video games journalist Cameron Walker (Lewis Gribben), who’s invited to preview Ritman’s newest creation. However as Ritman reveals behind closed doorways, what he has programmed, a title referred to as Thronglets, can’t be certified as a “sport.” There isn’t a aim. There isn’t a victory. As Ritman explains, Thronglets, because it exists as knowledge on a CD-ROM, is life, not code. Walker immediately feels the distinction as he tends to the throng of li’l furry yellow guys — this isn’t a Lemmings or SimAnt. The one factor he’s taking part in when hunched over Thronglets is god.

Brooker frames the evolution of Walker from mild-mannered gamer to throng overlord by flashback. In 2034, an older Walker (Peter Capaldi) is below arrest for an unsolved homicide and gives his whole life’s story to police as an evidence for what occurred. Slade orchestrates the backwards and forwards with a heavy metallic grind that feels in sync with Bandersnatch. Walker’s escalating obsession with rising his throng — which requires him to strip generations of gaming consoles for components with the intention to construct a supercomputer — performs out with rhythmic paranoia that all the things will go unsuitable. Viewers can’t select which path the story goes this time, and Slade retains us trapped in Walker’s head.

The intelligent technological twist with “Plaything” is that Brooker and Evening College, an indie studio acquired by Netflix in 2021, truly got here collectively to provide a model of Thronglets. The expertise of managing the ever-growing throng is each bit as mind-boggling as Walker’s. Like within the episode, gamers start with one li’l furry yellow man, who requires meals, water for bathing, and toys to play. Achievement permits the only thronglet to bud off and spawn extra thronglets, who zip throughout the pixelated map to seek out what they want and query their actuality. Faucet quick sufficient — to develop apple bushes, place bathtubs, assemble playgrounds — and the throng can be content material, till they aren’t.

In “Plaything,” Walker ascends to the following degree of Thronglets when he unlocks a method to talk together with his primitive throng. They need meals and shelter, sure, however additionally they need that means. Evening College’s playable Thronglets doesn’t require you to hardwire something into your mind to decode a sentient program’s language of alternative, however the throngs do clarify early on that they, too, look to you as a supreme being.

Not like in most life sims, there’s a powerful narrative undercurrent to Thronglets that performs out in dialogue bushes by which the participant is given the selection to be a merciless or sort grasp. You may attempt to clarify the purpose of affection or household, otherwise you might be glib and doubtlessly lose the religion of the throng. When it’s time to enterprise out into the world to find ore-rich mining areas, you may both construct bridges from out of the close by woods or harvest the bones of fallen throngs, which is sick, but additionally sooner.

In one among its most intelligent moments, “Plaything” nods to the historical past of tormenting Sims by trapping them in doorless homes or ladderless swimming pools in a second of violence that sends the ultra-protective Walker off the deep finish. Thronglets, the playable sport, is equally profitable in giving the style its personal self-reflective twists because it forces you to maintain up with the tempo of throng exercise — which is so hyperactive that it is perhaps a chore to play whereas second-screening Black Mirror — that may solely lead to consequence. Like Walker, I discovered myself unexpectedly dedicated to defending these li’l furry yellow guys as they grew and grew and grew in quantity, and suffered within the factories that had been ultimately constructed to course of ore. I couldn’t assist however mourn that our as soon as serene dwelling grew to become an industrial wasteland able to processing nukes, however I additionally wished to see the place all of it went.

Evening College didn’t make Thronglets a full Tamagotchi-level dedication in its try and fuse Charlie Brooker’s storytelling with a sport; you may put down your telephone with out sacrificing the lives of the thronglets. However I do suggest turning on notifications for the complete existential spiral; after a day or two of ignoring Thronglets, I began receiving pop-ups from my throng begging me to avoid wasting their lives. Darkish. And by the top of the sport, it will get darker in true Black Mirror trend.

Sean Krankel, founding father of Evening College and Netflix’s present head of Narrative Video games, has teased that individuals who watch “Plaything” and play Thronglets would possibly see some connectivity happen between the 2 (a Netflix account is required to play the free-to-download sport). Even those that don’t get that far, however who interact with each the episode and the sport, ought to really feel the next-level expertise of their connection. Since they had been made in live performance with each other, “Plaything” and Thronglets really feel like two halves of the identical story. “Plaything” establishes a world and Thronglets dunks your head in it.

Like Bandersnatch, the mix appears like uncharted — and overdue — territory for a completely plugged-in streaming service with extra to supply than clones of primary cable programming. At this yr’s Sport Builders Convention, Netflix mentioned it will proceed to host main titles on the service, just like the Grand Theft Auto sequence, and spend money on sofa celebration video games much like Jackbox. However a 3rd class, by which video games and linear TV are tethered by interactive story, has a lot potential. As he did with Bandersnatch, Brooker appears able to experiment. Whether or not Netflix will grant its different creators the identical galaxy-brain freedom might depend upon how many individuals play the Love Is Blind online game. As Colin Ritman says in “Plaything,” on the finish of the day, gaming for most individuals is all about cash.

Black Mirror season 7 is now streaming on Netflix. Thronglets can also be accessible to play now.